On Saturday

In which Saturday night is not a rockstar night

I was just on my way to bed when I remembered that I’m a blogger and I have to post something every day because that’s what I told myself I would do and I am determined to do the things I told myself I would do. I know, that sounds ridiculous even to me, but anyway, here we are and I must quickly think of something to say.

Thinking of something to say is more difficult than it sounds because I’m exhausted and I’ve been writing all day and into the night and I don’t think I’ve got any words left to share with you. Don’t feel sorry for me though, because in about five minutes I’ll be crawling into bed. Meanwhile, on the other side of the city, the mister is having a nap in the back of the car. He has been jackhammering tiles all day so is more exhausted than I am, but teenagers needed to be taxied to places and in the end he decided he would just hop into the backseat and sleep rather than drive all the way back here only to drive all the way back there again. This is the price you pay when you move to a city without paying proper attention to where you live in relation to where your children go to school and thus where their friends will be located during their sociable teenage years. And of course they should get themselves there only the public transport between here and there is lacking to the point of non-existence and the party doesn’t end until one and a P plater’s curfew is 12. We could say you have to be home before your P plate curfew but I was a teenager once and I do get that if the party finishes at one, you want to be there until one. So, the back seat of the car it is for the mister (insert ‘joke’ about that’s where he was when he was a teenager too and something something irony, funny ‘joke’).

The other advantage I have over the mister besides access to a bed is a cup of tea. The mister only made his decision after he had left home so he hasn’t even got a thermos.

I think we can all agree the world would not be worse off if I’d simply gone to bed without filling this space with noise.

Split – this is nothing even approaching a review, but it potentially has spoilers

I suppose it had to happen that I would get to a day where I had nothing to say and little time left in which to say it. It’s an hour before the end of the day. All day I’ve been trying to decide what I would write about, and now here I am. I did have an idea but it will take me more than an hour to execute that idea so I will have to do that tomorrow or the day after.

I went to see Split with the Floppy Adolescent today. (I think I should say spoiler alert here, although I’m not sure that I’m actually spoiling anything, but possibly I do, so consider yourself spoiler warned.) It was his idea to see it and even though I knew it wasn’t really my bag of chips I wanted to go to the something that he suggested as a gesture of goodwill towards him so often going to the things that I suggest. (It really isn’t easy at this age, is it, finding things to go to, because I can think of heaps of things he’d love to see but as is the case with so many things, once he is at a certain age I suddenly remember how it was to be that age, and what I remember about being that age is that going out with your mum is okay, but it’s not okay if you’re out with your mum at something where lots of people are out without their mum.)

I don’t think I enjoyed Split at all. This is not to say that I don’t think it’s good – I mean, I was completely sucked in by it, that is for sure, with the opening credits and music sufficiently suspense-filled. But I knew right from the beginning that it wasn’t going to be a film that I would be glad to have seen. I avoid, whenever I can, movies that subject women to humiliation or violence or some combination of the two. I thought Split did an okay job of avoiding being overly gratuitous. But I was (am) deeply uncomfortable with the use of child sexual abuse which I thought began as opportunistic and by the end had become exploitative.

There was a beautifully poignant moment in the closing scenes which was well-directed and beautifully-acted. That moment pulled a lot of things together for me. It left me bereft because all I could think about was the deep pain that some people live with all their lives. And then I wasn’t at all sure that I’d done the right thing going to it with my teenaged boy. Judging it simply as a film, I’d give it I think 3 1/2 or 4 stars out of 5. Judging it as a film-going experience?

On umbrellas (and other things)

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I took the borrowed umbrellas out of the borrowed car and held them out to the Floppy Adolescent standing beside me. As he reached across his forehead and pulled his fringe into place, I drew my arm back.

‘It’s all right,’ I said. ‘I’ll carry them.’

‘You don’t have to carry them all. We can carry our own.’

‘No thanks. That’s an argument waiting to happen.’

‘Mum, please. You can trust us. It’s just umbrellas.’

We have been together, the three of us, the two of them and me, for a week and they have been together longer, their extended Abu Dhabi summer break taken in a South Australian winter.

Brothers on holiday together.

Needle, bicker, hug, laugh.

Rinse, repeat.

Add umbrellas.

I handed the umbrellas to him (I know, right) then I locked the doors of borrowed car and the rented apartment and we began our walk towards the tram.

‘Oh God, look at you,’ I said to the lads. It is as if the outside light is somehow different and suddenly I could see them for what they were. Their jeans ripped at the knees, the sleeves of their jumpers too short, everything unwashed. How long has it been since anything saw the touch of an iron?

‘Mum, we look fine.’

‘Howcome you care so much about your fringe, but so little about your clothes?’

‘Mum. Please.’

‘At least tell me you thought to clean your teeth.’

The look! Teenage disdain perfected, but these days I am unaffected.

‘That’s the tree!’ The lads both pointed. They have been kicking the footy day after day for hours. At least once per session as far as I can tell the footy lands in the fork of one of the Norfolk Pines that line The Esplanade. This day, a police car had pulled up to watch them throwing rocks into the tree as they tried to dislodge the ball. ‘It’s all right,’ the lads reassured me when they recounted the story. ‘They were laughing. The had to watch us because there was nothing else for them to do. They’re bored. No one robs houses on Thursday morning.’

We arrived at the tram.

It used to be that when we came back on holidays I had an Australian SIM, an interwebby usb, a metrocard for the tram. Now too much time has passed and the SIM is too big for my phone, the telco has deactivated whatever it was that fired the usb, the metrocard is lost. I stood in front of the ticket machine and followed the steps, one by one, none of it in my memory now, everything being relearned. One dirham coins look like ten cent pieces to me, but not to the machine. We had gone two stops before I was holding our tickets. In the seats at the front of the tram umbrellas had turned into swords.

By the time the tram arrived at Victoria Square the darkness had started to fall. The lights were coming on, the street lights white, and a soft and buttery glow came from the office windows. When I am travelling, this is the time that I feel most alone, most not-at-home. My breaths grew shallow and caught in my throat. I swallowed to pop my ears.

Pirie Street. Rundle Mall. We got off the tram.

‘How far is it?’

‘Just down here.’

‘Yes, but how far? How long will it take us to get there?’

‘Not long.’

‘How long is not long?’

We crossed North Terrace, walked past Parliament House and the bleak, grey space of the Festival Plaza, stark and barren even in the soft light of the early night.

Inside the Festival Theatre it was how it had always been, but it was not what it used to be. Everyone used to be younger, the carpet used to be thicker, the stairs down to the bistro were steeper.

We looked at the bar snacks menu and I ordered. The cabernet sauvignon could have had more shades of marshmallow, the chicken wings could have had less sauce, the salt and pepper squid could not have been more like rubber. The chips were good, but there were not enough to go around. You never know with chips, do you? Sometimes too many, sometimes not enough, never just the right amount.

Bicker, needle, hug, laugh, bicker, needle, hug, laugh.

My boys looked shabby and they had umbrellas.

‘Please,’ I said. ‘Do we have to be the loudest wherever we go?’

‘Mum.’ They spoke in unison. ‘It’s only jokes.’ They wrapped their arms around each other’s necks and walked back up the stairs.

We watched The Book Of Loco a play about a mother’s death, migration and displacement, the edge of madness. I know, right?

I felt my Floppy Adolescent sitting with me and I remembered. My father and I sitting in the Keith Michell Theatre watching a Harvest production of Equus. Or maybe it wasn’t Harvest, but it was certainly Equus. And I felt so grown up sitting with my father. And when, at the end, my Floppy Adolescent stood and clapped and said, ‘That was amazing,’ I could not stop myself.

‘Oh God, you’re crying, aren’t you?’

‘Yes,’ I said.

‘Mum. Really?’

On the walk back to the tram it rained and we were happy to discover that our umbrellas were fit for purpose. At the tram stop it was cold and it was windy and there was no romance in public transport. The rain died down as we got on and by the time we reached our stop there was no more rain, the wind had stilled.

A few steps away from the tram and we could hear the sea, the waves rolling in. All week I have been falling asleep, waking up to this sound. Sometimes it soothes and other times it stirs, whistling through my veins like they are empty alleys in my soul.

A man on a strange reclining bike rode past and out onto the jetty.

‘Do you think he’s going fishing?’ That’s my youngest boy.

‘He hasn’t got a rod. Are you stupid?’ And that’s my oldest.

Bicker, needle, hug then laugh. They looped their arms around each other’s necks and walked, loped two steps ahead, elbows digging into ribs, knuckles ground against skulls. Bicker, needle, hug then laugh.

From behind us I heard the rumble, loudly, of a plane.

‘That’s the plane to Dubai. That’s the one we catch.’

‘How do you know?’

‘Because it’s nearly ten o’clock and this is Adelaide.’

I looked in the direction of the airport, but I could not see the plane. Too much cloud? Taken off in the other direction? I wanted to speak. I wanted my boys to know, I wanted them to understand that this is an Adelaide sound, that when I was their age and my parents brought me to Adelaide and we stayed in my grandfather’s house this was the noise that woke me. Planes just taking off or landing. This was the sound that reminded my body where I was, where I had woken. Somewhere safe that wasn’t home. I had no idea that those planes were flying to places I would one day see.

The lads ran on ahead. My heels clicked on the paving, the sea rolled in, the wind had started again.

There was no rain and the Norfolk Pines were silent.

Where my piano led me

I’ve got a piano. My grandfather bought it for us when I was young and a piano was a monetary stretch too far for my parents, teachers in their late twenties who had not come from landed gentry.

Long story, but in the last year, the piano has finally followed us to Abu Dhabi. We’ve put it in the little alcove the stairs make. It was a pragmatic choice because I didn’t want to risk having it dragged up and down the stairs. The loungeroom was out because I know enough not to put a piano against an outside wall and the only other wall with enough space is the one we share with our neighbour and what with the baby on their side and the dog with the mighty bark and the lads who never stop running on our side a piano seemed a step too far.

As it turns out, it’s an excellent place for a piano. Just a few steps in front of the door, it fits nicely in its nook and having a piano at the physical heart of the house. It’s excellent.

I play it every now and then. I’m stuck on pieces I learnt as an adolescent. Playing those pieces conjures up times and places that have gone, but live so deep inside I can’t ever lose them. This has been especially the case over the last six months which have been sad ones for me.

Best of all about having the piano here has been watching my eldest lad. He plays the sax, and he’s getting ready for his first lot of exams, but he also picked up my first piano books and started to teach himself. My heart, she sang. Of course my heart she also wept as she was forced to relive pieces she’d already played a thousand, million times. Greensleeves, anyone? Music Box Dancer? Oats and Beans?

Still, I never scream ‘Stop, please stop’ unless it’s that one, you know the one that everybody plays and it’s got a high part and a low part? What’s that called? My mother used to yell at me, ‘Stop, please stop’. I suppose at some point I must have stopped. I wonder, when was the last time I played that piece?

Anyhoo and moving on, he didn’t stop and thank goodness for that, because then he started doing something I never did. Transposing it. Adding in new chords. Changing the timing. And now every time he walks past the piano (which is often) he adds another note or two. He’s written three or four little pieces now all of them really lovely (I know, I would say that).

My heart, she sings.

He’s got an excellent sense of humour that boy. He’s thirteen so my goodness me he’s a pain in the arse, but he makes me laugh.

Things are going well for him, but he is thirteen and he’s a little bit lost and I’m trying to find some anchors he might be able to use in the choppy seas that are a human’s adolescence. Books. Music. It’s all I really know.

This is me last night: Genius idea! I will introduce him to the magic that is Tim Minchin. And then he (my eldest lad) can see that he could put together all his ridiculous jokes and all his slapstick and all the little bits and pieces he is writing on the piano and make something fully sick, totes amazeballs and OMG.

I told you he’s thirteen, didn’t I?

We went to youtube. Look! I said. And there’s Tim Minchin with an orchestra. An orchestra! What could go wrong?

In our house, you aren’t supposed to sit at the computer with headphones on. Cyber safety and all that, but because of reasons, I am having to study the rules of netball in great depth so I asked him to put the headphones on so I could concentrate.

I concentrated. And so did my eldest lad.

I had forgotten about some of the more hardcore Tim Minchin pieces. In truth, I’m not sure I’d ever listened to the Pope song.

(‘Mum, have you ever listened to this?’
We listen together.
‘Okay, so apart from the swearing do you know what he’s trying to say?’
‘Yeah, don’t protect paedophiles’
I guess that about sums it up).

So today, there’s a whole lot of stuff me and the mister don’t need to teach our eldest lad.

And today I was sitting here, in this very chair, faffing around the internet, looking at the expat lady blog which today is asking why people think it’s okay to give you their second baby clothes and whether it’s better to buy your diamonds in Dubai or in New York. And Tim Minchin’s words, the ones I heard before the earphones went on, came back to haunt me. I try to be intellectually honest, he said.

I closed the bulletin board and I sat at the piano and played Fantasia in D Minor which I first learnt in 1983. And as I played, it occurred to me that my relationship with this paper and this pattern of keys is one of the oldest relationships I’ve got.

I played it again and then once more. I do hope that it wasn’t our neighbour’s baby’s sleep time.