This isn’t really going to help me make my deadlines. Or maybe it is.

It is my birthday on Monday, but as there will be no one at home but me on Monday, I have declared this My Birthday Weekend.

If you need me I’m on the couch making occasional demands for nectarines and soda water with a splash of lime and bitters. Or perhaps a peach, peeled, sliced and lightly sprinkled with castor sugar.

Goodness me, reclining on the couch like this, you can see that those geraniums aren’t doing so well, perched on the windowsill like that. They need a tray or something underneath them so that the water doesn’t run straight out the bottom. Someone really should put their minds to that.

circa 1984

Today littlest boy and I have been air guitaring to Born in the USA. I’m so getting the new Bruce Springsteen album. As you can probably tell, I’ve never been on the cutting edge music-wise. I mean, I desperately wanted to be a post-punk Gothic, but I grew up in the country, and it was a bit hard to be post- something that hadn’t even arrived. So for me, it was a pretty straight diet of Eurythmics (I wanted to be Annie Lennox so much that I’m still dye-ing my hair red), INXS, Prince, the Cars, Midnight Oil, Hoodoo Gurus, Pretenders…that type of thing. And Bruce Springsteen.

And every now and then I do like to get them out again. And sometimes I buy the CDs of the cassettes and albums I used to have. It would be cheaper to listen to MMM I suppose (I can’t bear to tell you how much I paid for my Frankie Goes to Hollywood CD), and if I ever write that I’m listening to D*re Straights or J*hn C*ugar Melon-Camp do come and shoot me. If you need to catch a plane the mister will reimburse you.

Perhaps it’s this return to 1984, but I’ve been thinking of asking the house down the street whether I could get a cutting or two of their geraniums. Or maybe it’s the limewash blue and pink I’ve been splashing around the back yard. It’s making me think of terracotta pots and plants with primary-coloured flowers. I said to the mister as I was scrubbing the backyard walls on the weekend ‘I’m Frida Kahlo and you’re Diego Rivera’. He doesn’t want to play. He says ‘I’m happy to steal their colours, but why would we want their lives’. Sometimes you really can tell that I’m humanities and he’s science.

And I bet he would’ve played if I’d said ‘I’ll be Frida and you can be Trotsky’.

While I wasn’t watching Dr Phil

I’m sure you already know this, but just in case you don’t, I’m going to tell you what I have learned over the last day or so.

You can try too hard to make a piece of writing do too many things. You can stop reading there if you like. Or you can cast your eyes down through the explanation below. But warning, it’s a much longer post than I expected it to be.

I’m working on two writing things at the moment. Two main things anyway. A new novel (new novel: that’s gotta be tautology) arrangement which will be this collection of short stories which all become one story in the end – nothing that hasn’t been done before in some guise or other, but I’m enjoying it. As I go, I’m also working out how to create a sustainable piece of web fiction, with the intention of creating a novel and a related fiction blog. I don’t know that the web-based stuff will be particularly cutting edge, because my storytelling is very word-based (I don’t know much about pictures and so on), but still it is interesting and a little bit new. And that’s going very well. Thanks for asking.

The second thing is what I told you about yesterday. This play which I was going to write through the process of standup. And what a pickle I got myself into. Didn’t I?

There is a lot of reasons for the emergence of that pickle.

The simplest reason is, that as elsewhere has commented (even as I have been writing this post), competitions can be something of a distraction. They distract you from the path you were on, and you begin to reshape your work in unnatural ways. Now please, do not read this as me saying that government funding and competitions and that type of thing mean that people write what they think they need to write to get the funding or win the competition. It happens, I’m sure. I’ve heard people say that’s what they did. But I’m equally sure that what generally, more often happens is, as elswhere has succinctly said, you decide what needs to be done, then do it. And, because it comes from your heart or your soul or wherever it is your creative pieces come, then you have a better chance of winning the funding or the competition which happens to be around at around about the right time (which is rarely going to be in the early stages of your first draft). If you are at the right stage of your project at the time of a deadline, or if you have anticipated the deadline with more than two months to go, it (the deadline) can give you particular focus and, importantly, a sense of achievement. A most elusive, but powerful, thing. Not that I’ve ever won a competition, or been involved in their administration, so you shouldn’t really be taking my word for it.

There are more substantial and complex reasons though, for the pickle in which I found myself. Because after several years of being singlemindedly focussed on a singular goal, over the last year, my focus has broadened. And perhaps, slightly changed. You see, this standup comedy thing wasn’t in my plan. Not that I had an articulated plan as such, with three month, six month, one year, five year goals. But I did have a vision of who I would be, should everything go my way. I would be a writer, and very particularly, a novelist. And in the year or so before I had my first child, I had a few good nibbles, and a bit of an idea that I could maybe make it happen. Maybe. Enough to make me think I should give it a try.

Now, while having children obviously inhibits writing in very many ways (let’s not even pretend that we can count them), there was an unexpected bonus (and no, not that monetary vote-buying one which I never got and anyway my vote isn’t for sale). It has given me time to hide myself away a bit and have a little stab at writing things – novels – without having to talk too much about it with anyone (except, obviously, the internet).

That’s one of the reasons I’ve been happy to have things – professional career-type things – on hold while I had young children. So I could spend time with them and chip away at writing a novel. When I say happy, of course, I mean happy interspersed with intense, and often long, periods of frustration and boredom and worry about the gurgling sound of my career and so on thrown in. But I’ve been more or less happy, because I thought I was gathering all of my momentum and ideas and then, as both my children went off to school all the groundwork would be done and I would hit the ground running. And get my novel done, so that before anyone noticed I wasn’t really doing anything, I could give them an invitation to my book launch and they would say oh and I wouldn’t have to explain myself anymore.

Of course, it was never going to be that easy. Not really. But it was a plan. A solid, focussed plan.

But then I started performing comedy and having fun while I was doing it. My plan is now much less clear than it was and I have more decisions to make than I thought I would.

Writing a novel – especially your first one, with no idea whether or not it is good or will see the light of day – is a lonely experience and to a large extent it is feedback-free. Word after word after careful word all without an audience. Except the mister who, let’s face it, is biased. So in a way, standup has come as something of a relief. Of course, it takes a loooong time to write a joke, but, once written, the feedback is immediate – for better or for worse. And I can’t tell you how good it is to make people laugh (conversely, I can’t tell you how awful it is making people sit there with their arms folded waiting for a laugh).

And that is why I started trying to do too many things. To make small pieces of writing be too many things. Because all of a sudden, I want to do two things, instead of one. And that is why I need to re-focus myself, and why I have defined two projects. The novel – as described above – andthis standup story (working title After Hours Shoot about a librarian who is dead, but nobody has noticed). If, in the process of writing that, I end up with something suitable to enter in this competition, then I shall submit it. Otherwise, I shan’t.

Once I let myself make that decision – on the way into school this morning – then I had two quite productive hours this morning. And then, it was back on the preschool/school pickups again, and making lunch, and playing soccer, and admiring plasticine sculptures and so on and so forth.

Of course, written like this, in a few neat, if rambly, paragraphs, it all seems more straightforward than it really is. Because none of this is likely to make me a living. Or help me reduce my (current) financial dependence on the mister (and, yes, I know, we all make different contributions to relationships and so on and so forth, but committing to financial dependence was not something I was ever expecting to do).What of my career? I mean, I thought I was going to spend my life working for development agencies, and I like being on boards. But I can’t look after young children, and work at a job, and think about strategic directions, and write another manuscript – some people can do all those things, but I can’t. I thought I could, but I can’t. Not with everything else that comes with being part of a family and having friends, and so on. And so forth.

All of this is a rather long-winded way of saying: that idea I had, to try and have it all, to save time and so on…that’s not a bad idea. It’s possible. It might work. But it’s not a practical plan.

and he has such a lovely name

Adelaide, who had been married long enough that even the good quality towel-sets were beginning to fray, had only heard herself say ‘my husband’ three times. No, four. And all of them in the last six months.

Which was strange she thought as she watched him load the washing machine, because, apart from the flanellette pyjamas he now wore against his once-bare skin, he seemed not to have changed.

She scratched at her head, thought that in this morning’s shower she should have washed her hair, and vowed that tomorrow she would drink less water and eat more cheese.

And, of course, your phone charger would not be lost.

I have always wanted to live in the kind of house where, when you thought to yourself I need scissors and I need them now, you would be able to lay your hands on a pair.

In such a house, before putting the lasagne in, you would not first have to clean out the smoking crumbs from the toast you must grill because every time the toaster pops the power shorts, and no-one dares go to Harris Scarfe to replace the toaster in case that’s not the problem, because: can we really afford to get the wiring done.

The dishwasher would not have leaked so often that now the floor is warped.

If you lived in such a house, you would know how to breed children who did not cheat at connect 4 and whose creativity extended to also cleaning up the mud.

The career that you had intended to have would, at some point, have taken off. You would look at your CV and see a sensible whole, rather than a cobble of frayed strings which you can not possibly hope to explain to an employer because you can’t explain it to yourself.

Oh. I’m still me. And there’s washing to be done.

Even as I enter my wisdom years, I am still disappointed to wake the morning after a haircut and find that my life has not, after all, been transformed. Although, with the wisdom that I have so far accumulated, I am relieved that none of the haircuts circa 1990 did transform me into Winona Ryder*. I reckon I’d’ve been – and continue to be – happy as Annie Lennox but.

*Updated to add: I would, however, make some Faustian pact involving trading off the rest of my life to spend just three years with my name tattooed on Johnny Depp’s arm. Yes, I really would.

When all else fails, clean out your cupboards

pantrycontents.jpg

To make an omelette you must first break eggs. Chairman Mao once said in order to see something beautiful, you must first go through pain (or something along those lines). And I’m sure there’s something in the Dao of Pooh. But there is always a moment – when you have taken out the contents of all but one shelf, thrown out all that needs to be thrown out and realised that if only you had two more of those containers with green lids then all that is wronged would be righted – when you look at everything and wonder what made me think that cleaning out this cupboard was a good idea?

And why do I have eight different types of sugar in ten different packets?